Christina Ayer

Contemporary art and mosaic
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Around the World

In the 20 plus years I have been doing this work, I have had the opportunity to complete some truly world-changing and impacting projects, including the largest artistic mosaic installation in the world (the Abraj al Bait clock tower) and the mosaic cladding on the Giant Medina Umbrellas, a wonder of modern engineering. I also have my mosaic work in a foundational (literally!) location in the Victoria and Albert musem in London, 105 square meters of floor mosaic in the new Exhibition Road Gallery.

Events and Exhibitions

UPCOMING:
Ferrara, IT: Biennale della Creatività. November 16-2, 2024
Budapest, HU: ChristmART. November 12 2024 – January 15, 2025
Vienna, AU. Weihnachts zum Opernhaus. December 1-15 2024(online exhibition)
Brescia, IT: Aspettando Natale. December 1, 2024
.Milan & NYC: Artemida Art Expo. February 10-22, 2025

2023 & 2024 completed
Milan, IT: Art & fashion week. June 15-22, 2024
Budapest, HU: Abstractum. May 1-25, 2024
Budapest HU: Natura. March 5-30, 2024
Rome. Roma Art. Oct. 15 23 – Jan 11 24
Milan. Art Beyond Borders. 2-11 December 23
Brescia. Ricognizione. 29 Nov – 6 December 23.
Sabbio Chiese. Decennali Madonna della Rocca. 3-10 September 23

Art as a spiritual journey

My artistic process is a spiritual voyage – in a state of meditation and openness, I let the canvas guide me. It usually starts with colours or textures, calling to me from my paint box and then dancing and forming into areas and flows and contrasts on the canvas. Then they start to form lines, bones of structure, that tie it together. And when the intuitive phase feels complete, I take a step back, try to feel and digest what is trying to come out, and then start to add detail and intent, bringing out the sense of the message with more clarity and vision.

In this way, I think of my art as a channel – a bridge between conscious thought and spiritual understanding. I aim to reach beyond the limitations of intellect and create a deeper kind of connection — wiping away the masks and layers of conditioning, mechanisms and defenses that divide us.

In fact the theme of much of my work right now is just that – the masks and layers of defense, personal and cultural calcification, that make it difficult, even impossible for people to really connect and really live their true selves. I also paint about creativity and creation itself, and how true creative freedom is the solution to that isolation, the tool to break the chains, dissolve the masks and tear down the barriers.

let’s do a Deep Dive

Come explore the slide show of some of my favourite pieces, with a deep dive description of what they mean to me and why they are favourites

Experimentation and creativity

Experimentation and curiosity is a big part of my artistic process. “I wonder what would happen if I soaked this in PVA? I wonder how a fluid acrylic will react to a thick wet cement based sublayer? Hmmm, clingfilm…torch…lets try… This cookie is delicious, how would it look stuck on the canvas? (stupid, it looked stupid…and it wasn’t tasty anymore all covered in paint!)”

A truly free creative process must include experimentation – there are no bad questions, and there are no wrong answers. In my art I feel free to explore every avenue.

It doesn’t always work, but that doesn’t matter — sometimes the most important freedom, the one most overlooked and undervalued, is the freedom to fail. If it doesn’t work, I just paint over it and start again.

And that means that when it DOES work, when it gets to this stage and appears on this site, it is the result of a true and authentic creative process – no straining to please the imagined judgement of the imagined critics!